The Green Table - Kurt Jooss

Background;
The Green Table is the masterpiece of German choreographer Kurt Jooss, and his most popular work, depicting the futility of peace negotiations of the 1930s. It was the first play to be fully notated using Kinetography Laban (Labanotation). It is in the repertoire of ballet companies worldwide, where it has been staged by Jooss himself.
Since his death in 1979, his daughter Anna Markard has been responsible for stagings of the work.
Plot outline;
Lasting about 30 minutes and subtitled "A dance of death in eight scenes", The Green Table is a commentary on the futility of war and the horrors it causes.
It opens with a group of diplomats (the Gentlemen in Black) having a discussion around a rectangular table covered with a green cloth. They end up pulling guns from their pockets and shooting in the air, thus symbolizing the declaration of war.

The next six scenes portray different aspects of wartime: the separation from loved ones in The Farewells, war itself in The Battle and The Partisan, loneliness and misery in The Refugees, the emotional void and the atmosphere of forced entertainment in The Brothel, and, finally, the psychologically beaten and wounded survivors in The Aftermath. The ballet then ends as it began, with the "Gentlemen in Black" around the green table.

Throughout these episodes the figure of Death is triumphant, portrayed as a skeleton moving in a forceful and robot-like way, relentlessly claiming its victims.
The dance ends with a repeat of the opening scene, a device the choreographer uses to show his mistrust in the talks of the diplomats; completely indifferent to the ravages of war, they continue their hypocritical negotiations.

Analysis of The Green Table;

The Green Table reflects a concern for social issues and the problems of that era (shared by many artists contemporary with Jooss) such as political corruption and militaristic policies.

Its style, with its cutting irony, caricature, and boldness of language, has much in common with Expressionism which flourished in the first decade of the 20th century. The cynical structure of the dance, for example, is a formal expression of this dry humour: the diplomats repeat their routine with total indifference to the real consequences of their decisions. The seriousness of their discussion is negated by the music that Jooss chose to accompany this scene: a playful tango. He also dressed the characters in masks, which gave them a grotesque look, and created movements that are exaggerations of naturalistic movement, such as gesticulating while talking, or nervously pacing up and down while thinking.

The costumes and props were chosen for their symbolic qualities: a flag for the hopeful soldier, a red dress coupled with a white scarf for the partisan, or the skeleton-like costume of Death.

Jooss mastered the visual outlook of his compositions with great skill; again the scene of The Gentlemen in Black provides an example of how the choreographer directed the audience to focus on a particular point of interest, which may be a dancer located on a higher plane than the rest of the group, or someone keeping still while everybody else is moving (or vice versa), or simply a convergence of the compositional lines.

His use of space for expressive purposes, as well as the foundation of his technique, stemmed from his formative training as Rudolf Laban's student and assistant. Together they explored the interrelation between space and the body, with its various movement qualities reflecting different mental states and feelings. Jooss integrated Laban's findings and his free-style approach to dancing with the discipline of classical ballet training. The result was a new technique that emphasizes the use of the body as an expressive whole.

This technique was to be absorbed and further developed by Jooss' students, among whom were Birgit Cullberg and Pina Bausch

The Green Table is a mature example of this technique. It uses elements of classical ballet, such as turn-out, demi-pointe, extensions, turns, arabesques, and other ballet steps. However, there is no pointe work or any other feature that could suggest virtuoso display. The gracefulness, elegance, ethereal quality, and other affectations of classical ballet are eliminated.

TEXT RESEARCH;

Last Updated; 27th July 2011

Date Accessed; 03/02/2012

http://en.wikipedia.org/wiki/The_Green_Table

IMAGE;

http://www.poetryfoundation.org/article/177655